Las óleos de todo John Constable

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32836

Flatford Mill

mk81 1816-17

33116

Flatford Mill from a lock on the Stour

mk82 c.1811 oil on paper laid on canvas 26x35.5

98483

Flatford Mill or Scene on a Navigable River

Dimensions 1331 mm x 162 mm x 1583 mm (52.4 in x 6.4 in x 62.3 in)

98468

Flowers in a glass vase, study

Oil on paperboard Dimensions 503 x 330 mm c. 1814

33007

Full sale study for The hay wain

mk82 c.1821 oil on canvas137x188

81910

Full-scale study for The Hay Wain

John Constable. Full-scale study for The Hay Wain. Oil on canvas. Victoria and Albert Museum, London Date C. 1821 cjr

38752

Golding Constable-s Flower Garden

mk141 1815 Oil on canvas

38753

Golding Constable-s Kitchen Garden

mk141 1815 Oil on canvas

38758

Hadleigh Castle

mk141 1829 Yale Center for British Art

86057

Hadleight Castle

Date 1829(1829) Medium Oil on canvas Dimensions 123 x 167 cm cjr

90116

Hadleight Castle

1829(1829) Medium oil on canvas Dimensions 123 x 167 cm cyf

54518

Hampstead Heat

mk235 1824 Oil on canvas

32958

Hampstead Heath

mk82 Looking towards Harrow at Sunset 9 Autust 1823

33143

Hampstead Heath looking to Harrwo

mk82 c.1821-22 oil on paper laid on canvas 29.5x48.3

32954

Hampstead Heath with London in the distance

mk82 c.1827-30

33173

Hampstead Heath with London in the distance

mk82 c.1827-30

33136

Hampstead Heath,sun setting over Harrow 12 September 1821

mk82 oil on paper laid on board 24.7x30.5cm

33151

Hampsted Heath,looking towards Harrow at sunset 9August 1823

mk82 oil on canvas 23x29

33130

Hanwich Lightouse

mk82 c.1820 oil on canvas 32.7x50.2

32967

Harwich Lighthouse

mk82 c.1820

20833

Helmingham Dell (mk05)

Canvas 40 1/2 x 51''(103 x 129 cm)Acquired in 1948 R.F 1948-5

32987

horizon of trees 27September 1821

mk82

33105

Hove Beach

mk82 c.1842

33162

Hove Beach,withfishing boats

mk82 c.1824 oil on paer laid on canvas 29.8x49.2

33106

John Constable

mk82 c.1799 oil on canvas 76.2x63.8cm National Portrait Gallery

98471

John Constable R.A., The Leaping Horse

1825(1825) Medium oil on canvas Dimensions 142 x 187 cm

33102

Keswick

mk82 c.1807

32972

Keswick,Lake

mk82 c.1807

33109

Keswick,Lake

mk82 c.1807 Oil on millboard inlaid into mahogany panel 26.5x44.7cm

21770

Lake Derwent with Evening Storm (mk10)

Watercolour,33.5 x 38 cm London,Victorian and Albert Museum

32979

Landscape

mk82 after Teniers 1823

33149

Landscape after Teniers

mk82 1823 oil on panel 16.8x22.6cm

33119

Landscape study,cottage and rainbow

mk82 c.1808-16

33153

Landscape study:Scene in a park

mk82 c.1823 oil on paper laid on canvas 24x26

87541

Landscape with Cottages

1809-1810 Medium Oil on canvas Dimensions 15 x 29.2 cm (5.9 x 11.5 in) cyf

32970

Landscape with goatherd and goats

mk82 after Claude 1823

32978

Landscape with goatherd and goats

mk82 after Claude 1823

33152

Landscape with goatherd and goats after Claude 1823

mk82 oil on canvas 53.3x44.3

33164

Landscape with trees and deer,after Claude july 1825

mk82 pen and brown ink,with brown and grey wash 28.8x20

21822

Landscape with Two Rainbows (mk10)

1812 Oil on paper 34 x 38 cm London,Victoria and Albert Museum

32991

London from Hampstead Heath in a storm,with a double rainbow

mk82 June 1831

33177

London from Hampstead Heath in a storm,with a double rainbow june 1831

mk82 watercolour with scraping out ,on grey paper 19.7x32

44245

Malvern Hall in Warwickshire

1809 Oil on canvas, 51 x 77 cm

71920

Malvern Hall,

Malvern Hall, 1809, oil on canvas, Tate Gallery, London.

33131

Malvern Hall:The entrance front

mk82 c.1820 oil on canvas 54.6x78.1

457

Maria Bicknell

1816 Tate Gallery, London

58416

Maria Bicknell

Maria Bicknell, painted by Constable in 1816

32952

Old Sarum

mk84 1834

33010

Old Sarum

mk82 1834

33178

Old Sarum

mk82 1834 watercolour with scraping out,on two conjoined sheets 30x48.7

38762

Old Sarum

mk141 1831/32 2nd plate

68910

old sarum

1833 mezzotint engraving 20.4x28.3cm se

22809

Old Sarum (mk22)

1834 Watercolor,30 x 48.7 cm London,Victoria and Albert Museum

33186

Old Sarum at noon

mk82 20 july 1829

33154

Osmington Bay

mk82 c.1824 oil on canvas 34.5x51.8

439

Parham Mill at Gillingham

1826 Yale Centre for British Art, New Haven,

90990

Portrait der Maria Bicknell

1816(1816) Medium oil on canvas Dimensions 30 x 25 cm cyf

98478

Portrat der Maria Bicknell

1816(1816) Medium oil on canvas Dimensions 30 x 25 cm

32944

Rainstorm over the sea

mk82 c.1824-28

32955

Rainstorm over the sea

mk82 c.1824-28

32990

Rainstorm over the sea

mk82 c.1824-28

33158

Rainstorm over the sea

mk82 c.1824-28

32971

Road to The Spaniards

mk82

33138

Road to the The Spaniards,Hampstead 2(9)July 1822

mk82 oil on paper laid on canvas 30.8x51.1

56522

sadesfalrer

mk248 det befolkade landskapet var constables standiga motiv ovb det ban var mest fortrogen med. vagen till sadesfaltet ar samma som konstnaren gick langs nar ban skulle till skolan detta ar det suffolk som ban bar i sitt bjarta i bela sitt liv.sadesfalter foljer olika riktningar i tid ocb rymd. det vertikala fitrmatet styr askadarens blick fran pojken vid backen till mannen som skordar saden ocb slutligen till kyrktornet bland traden.den romantiske poeten wordswortb bifrog till den fond som kopte in malningen till nationak gallery i london.

41350

Sailsbury Cathedral From the Bishop-s Garden

mk161 Oil on canvas 34x44

58423

Salisbury Cathedral by John Constable

Salisbury Cathedral by John Constable, ca. 1825. As a gesture of appreciation for John Fisher, the Bishop of Salisbury, who commissioned this painting, Constable included the Bishop and his wife in the canvas. Their figures can be seen at the bottom left of the painting, behind the fence and under the shade of the trees.

94969

Salisbury Cathedral from the Bishop s Grounds

1823 (1823) Dimensions 87.6 cm x 111.8 cm cyf

31839

Salisbury cathedral from the bishop's garden

mk76 Dated 1826 Oil on canvas

33005

Salisbury Cathedral from the Bishop's Ground

mk82 1823

33148

Salisbury Cathedral from the Bishop's Grounds

mk82 1823 oil on canvas 87.6x111.8

21435

Salisbury Cathedral from the Bishop's Grounds (mk09)

1828 Oil on canvas,34 x 44 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz

33921

Salisbury Cathedral from the Bishop-s Grounds

mk87 1828 Oil on canvas 34x44cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz

40671

Salisbury Cathedral from the Bishop-s Grounds

mk156 1823 Oil on canvas 88x112cm

26358

Salisbury Cathedral from the Meadows

mk49 1831 Oil on canvas on loan to the National Gallery,London

435

Salisbury Cathedral from the Meadows2

98479

Schleuse und Muhle in Dedham

1820 Medium oil on canvas Dimensions Deutsch: 53,7 x 76,2 cm

85286

Seascape Study with Rain Cloud

Date 1827(1827) Medium Oil on paper Dimensions 22,2 x 31,1 cm cjr

52461

Sketch for The Leaping Horse

1824-25 Oil on canvas, 129 x 188 cm

33132

Spring:East Bergholt Common

mk82 c.1821 or 1829 oil on oak wood panel 19x36.2

32950

Srping East Bergholt Common

mk82 c.1821 or 1829

82052

Stoke-by-Nayland, Suffolk.

Stoke-by-Nayland, Suffolk. Oil on paper. Date C. 1829/1830 cjr

33172

Stoke-by-Nayland,Suffolk

mk82 c.1829-35 iron-gall ink wash and pancil 12.2x16.5

441

Stonehenge

1836 V ictoria and Albert Museum, London

32960

Stormy Sea

mk82 Brighton 20 July 1828

33170

Stormy Sea,Brighton 20 july 1828

mk82 oil on paper laid on canvas 14.5x23.5

42756

Stour Valley and the church of Dedham

MK169 1814-15 oil Paint on cloth 55x77.8cm Museum or Finn Physician.

32985

Study of A boat passing a lock

mk82 c.1826

33167

Study of A boat passing a lock

mk82 c.1826 oil on canvas 103.5x129.9

38756

Study of clouds at Hampstead

mk141 1821 Oil on canvas

38766

Study of Clouds at Hampstead

mk141 1821 Oil on paper laid on board 24.2x29.8cm

33009

Study of the trunk of an elm tree

mk82 c.1821 oil on paper 30.6x24.8cm

81908

Summer morning: Dedham from Langham

John Constable. Summer morning: Dedham from Langham. Oil on paper. Victoria and Albert Museum, London Date C. 1812. cjr

38764

Sun bursting through dark clouds

mk141 1821 Oil on paper laid on panel 21.2x29cm

33108

The Castle Rock,Borrowdale

mk82 1806 Watercolour and charcoal 26.8x36.3cm

98480

The Chain Pier, Brighton

1824-1827 Medium oil on canvas Dimensions 127 x 183 cm

85473

The Close

Oil on paper. Date 1829(1829) cyf

81466

The Close, Salisbury

The Close, Salisbury. Oil on paper. Date 1829(1829) cjr

43315

The Cornfield

mk170 1826 Oil on canvas 142.9x121.9cm

51368

The Cornfield

mk218 1826 Oil on canvas 143x122cm

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John Constable

1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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